Dylan LeBlanc tours Europe/UK this August + September18-04-2017
Dylan LeBlanc knows second chances don’t come around often. But, neither do voices like his.
Overwhelmed by the speed his gift would take him, from Applebee’s server to “the new Neil Young” in a matter of months, he walked away from an unlikely major label deal after releasing two critically acclaimed albums. He slipped into a blur of booze and self-doubt. Exhausted and damaged at just 23-years-old, Dylan came home to Muscle Shoals, Alabama to write a new life for himself.
In between the moments of clarity and a few familiar falls, he also wrote a new album, Cautionary Tale: a collection of shimmering, arresting songs with the same haunting vocals that caught the attention of Lucinda Williams and Bruce Springsteen, now with a sharpened edge honed by hastened maturity.
To help him say it, he sought out long-time friend Ben Tanner, the same guy who had secretly helped Dylan record his first songs after hours while working at fabled FAME Studios. (He also introduced a 16-year-old Dylan to Wilco, George Harrison, and Ryan Adams by way of an external hard drive). In between touring with Alabama Shakes, Ben was beginning to engineer records again at the label he started with another friend of Dylan’s, Grammy Award-winning musician John Paul White, formerly of the Civil Wars. The two both produced and played on Cautionary Tale.
The stripped down aesthetic that John Paul and Ben have made their label’s calling card sets Dylan’s voice in a light bright enough to see the patina the last few years has left behind.
If Dylan was wandering through a cemetery with his first album Paupers Field (“Songs are like headstones to me,” he told The Guardian), Cautionary Tale is an abandoned desert town. He reflects on what once was, and if anything could be again. At times, he wonders if the signs of life he sees on the horizon are real or just a mirage. Phantasmic, warbling voices in the background rise to meet his own and fade into the ether; ghostly guitar riffs echo in the emptiness around him.
Finding the right arrangement and words was a more deliberate effort for Dylan this time. After feeling lost in the “mania” of recording his first two albums, he relied on Ben and John Paul to help him collect the pieces of his vision.
That new-found discipline shows. Never one to write out parts, Dylan methodically scored the stunning string sections with violinist Kimi Samson and cellist Caleb Elliot. To form the polished rhythm section he wanted to drive songs like “The Easy Way Out” and “Beyond the Veil,” he paired drummer Jeremy Gibson with Alabama Shakes bassist Zac Cockrell.
While Dylan will be the first to admit he wasn’t ready to stand on the stages he played early in his career, there’s no doubting he is now. With a recalibrated compass, he’s back on the road opening sold-out shows for British singer-songwriter George Ezra, another artist praised for a wizened voice beyond his years.
This August + September Dylan LeBlanc and his band embark on a European tour taking them to Scandinavia, Benelux and United Kingdom:
31-AUG: Copenhagen (DK) @ Ideal / Vega
01-SEP: Oslo (NO) @ John Dee
02-SEP: Stockholm (SWE) @ Sthlm Americana
03-SEP: Gothenburg (SWE) @ Pustervik
05-SEP: Heist-Op-Den-Berg (BE) @ The Living
06-SEP: Amsterdam (NL) @ Paradiso
07-SEP: Groningen (NL) @ De Spieghel
08-SEP: Ottersum (NL) @ Roepaen
09-SEP: Utrecht (NL) @ EKKO
11-SEP: London (UK) @ The Lexington
13-SEP: Glasgow (UK) @ CCA
14-SEP: Dublin (IRL) @ Whelans
15-SEP: Bristol (UK) @ The Lantern
16-SEP: Leeds (UK) @ Brudenell Social Club
17-SEP: Sheffield (UK) @ Greystones